Indian democracy with a female prime minister (I. Gandhi), the sweeping work of local tax officers on the shadow incomes of an oligarch deputy: tons, tons of seized gold and money, his palace dismantled brick by brick in search of hiding places, the war of his bandits with a principled hero-stateman who turns out to be reliably protected by inviolable Indian laws. Also, of course, a few arias on Indian motifs and holding hands with the main character with his beautiful wife - forgetting about this, the director (Raj and Kumar), of course, would cease to respect himself. Made clearly according to Hollywood canons and patterns, the film still looks like a crowded Indian mahabharata, a unique universal film genre suitable for drama, comedy, and action film. The feeling of “fairytale” of the film would convey the “age” marking of “6+”.
But the pre-film credits claim that it is based on real events. If it really somehow reflects the real practice of Indian law enforcement with large crooks, when applying such experience in Russia, amateur activists-whistleblowers, of course, would nervously smoke on the sidelines, jealous of the scope.
